Shows like "Landman" and "Yellowstone" succeed by creating content for a cultural niche often ignored by mainstream Hollywood. Creator Taylor Sheridan is compared to Rupert Murdoch, as he has built an entertainment empire by recognizing and serving the massive market for programming that reflects more traditional and conservative values.
The MAGA movement didn't spontaneously arise with Donald Trump. It was the result of a decade-long media strategy by figures like Rupert Murdoch. By acquiring and synchronizing messaging across AM radio stations and Sinclair Broadcasting's local news networks, they cultivated a national conservative base long before Trump's political ascent.
Tubi's CEO argues that the media industry's focus on consolidation misses the bigger story. The more profound shift is the convergence of the creator economy and traditional Hollywood, which is fundamentally changing how content is made, distributed, and consumed by the next generation of viewers.
As media companies scale, they are increasingly run by finance or legal executives who prioritize pulling business levers over creative vision. This shift creates a market opportunity for smaller, passion-driven companies led by actual creators who are less focused on pure optimization.
Apple's media strategy follows a playbook: first, produce a popular fictional show about a sport (e.g., "Ted Lasso"), building an audience and cultural relevance. Then, acquire the expensive broadcasting rights for the real league (e.g., MLS), ensuring a ready-made viewership for their investment.
A $3-5M/episode drama from Canada's Crave streaming service became a global phenomenon, outshining $50M/episode Hollywood productions. This validates the independent media model for scripted television, where authentic, low-cost content can find massive global audiences.
The next evolution of the creator economy involves creators building their own vertically integrated studios, complete with production, marketing, CPG, and supply chain infrastructure. They are no longer just talent for hire but self-sufficient media and commerce companies controlling their own IP.
CBS News acquiring Bari Weiss signals a strategic shift: legacy media outlets are buying influential independent creators to regain credibility. As audiences increasingly trust individual voices over institutions, these giants are co-opting top creators to bring that trust—and their audiences—back under a corporate umbrella, reversing the traditional talent pipeline.
The success of the gay hockey romance "Heated Rivalry" was not accidental. Producers deliberately copied the "Bridgerton" formula: combining a racy script, an unknown cast, and a surprise setting. This strategy can be replicated to create viral hits in seemingly niche content areas and drive mainstream interest.
The media landscape is not a zero-sum game. Specialized outlets can succeed by offering a distinct perspective that complements traditional investigative journalism. This provides consumers with a choice of narrative style and viewpoint, creating a healthier, more diverse ecosystem.
A power inversion is happening in media access. Politicians actively seek appearances on creator shows, known for softer content, while legacy news outlets struggle to get interviews. This highlights a strategic shift where politicians prioritize friendly mass reach over journalistic scrutiny.