The belief that your current product is "a giant piece of shit" is a powerful motivator. This mindset ensures you are constantly seeking limitless opportunities for improvement. If you can't see flaws and feel a degree of humiliation about what you offer the public, you shouldn't be designing the product.

The negative inner voice fueling self-doubt is not a rational assessment of your capabilities. It's a deeply ingrained habit of thinking in a limited way. The key is to challenge these automatic thought patterns and instead learn to doubt your perceived limits.

Every leader has an inner "monster" of self-doubt. The most effective leaders recognize this voice is an unavoidable part of the job. Their success comes not from eliminating it, but from learning to manage it. The crucial question isn't whether the monster exists, but whether it's in charge of key decisions and interactions.

Top performers don't conquer nervousness; they listen to it. Self-doubt is an indicator to lean into, not a signal to stop. Performance coach Giselle Ugardi suggests talking back to your inner critic as a way to reframe and manage the feeling, rather than trying to suppress it.

Rather than a weakness, nervousness and imposter syndrome indicate that a creative cares deeply about the outcome. A legendary copywriter's advice was, "if I didn't get nervous I may as well be dead." This anxiety can be harnessed as a motivator to avoid complacency.

Creative resistance follows a predictable pattern, peaking not at the start but just before the finish line. Like a marathoner hitting "the wall," creators face their strongest self-doubt when a project is nearly complete. Recognizing this as a normal stage is key to finishing.

The belief that perfectionism drives success is a myth. Research shows perfectionistic individuals often have lower income and productivity. The fear of not being perfect leads to paralysis and interferes with performance, contrasting with healthy "excellencism," which is adaptive and focuses on striving rather than flaw-avoidance.

Instead of striving for perfection, the key to overcoming creative blocks is to allow yourself to create subpar work. Acknowledging that 80-90% of an initial draft will be discarded lowers the stakes and makes it easier to begin the creative process.

When working privately, don't label early attempts as successes or failures. Instead, choreographer Twyla Tharp suggests evaluating them based on their utility. The crucial question is not "Is this good?" but "Is this useful? Does it generate the next question and move the process forward?"