A new wave of Chinese nationalists, known as "little pinks," fuses patriotism with the tactics of online fan culture ("stans"). They use coordinated social media strategies, typically seen among celebrity fan groups, to attack political targets and promote the state's agenda, creating a potent form of digital nationalism.

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Historically, Western pop culture like punk and hip-hop defined rebellion. Now, imagery and music from East Asia—a region typically seen as conformist—are fueling global youth protests. Anime series like 'One Piece' and K-pop songs provide symbols of solidarity and courage for young activists worldwide.

As the global internet splinters into nationally-regulated zones, many world leaders look with jealousy at China's ability to control its digital "town square." Despite public criticism, the Chinese model of a managed internet appeals to governments seeking greater control over online discourse, even in democracies.

Despite different political systems, the US and Chinese internets have converged because power is highly centralized. Whether it's a government controlling platforms like Weibo or tech oligarchs like Elon Musk controlling X, the result is a small group dictating the digital public square's rules.

A growing meme suggests China is becoming "hot" and "in," capturing the Western imagination with its futuristic cities and unique online culture. This cultural shift, amplified by influencers, positions China as a new center of gravity for trends, potentially supplanting the long-held cultural influence of Japan and Korea.

The Chinese censorship ecosystem intentionally avoids clear red lines. This vagueness forces internet platforms and users to over-interpret rules and proactively self-censor, making it a more effective control mechanism than explicit prohibitions.

Waving a national flag is a direct political act with serious risks in authoritarian countries. Activists are instead using pop culture symbols, like the pirate flag from the anime 'One Piece', to protest. This makes their message more ambiguous, providing a layer of plausible deniability to dodge censorship and reduce personal risk.

Both nations use nationalism to rally support and distract from domestic failings. But this approach is a "heady drink" with severe downsides: it repels internal minorities, pushes neighbors to form counter-alliances, and makes it politically difficult to de-escalate international crises.

Analyzing the memetic activity of niche online groups, like teenage eco-anarchists in 2018, serves as an "early detection" system for forecasting larger political narratives and cultural shifts, as their fringe concerns often scale to mass audiences.

Ed Luttwak diagnoses Xi Jinping with Stockholm Syndrome. Xi's family was destroyed by Mao Zedong, yet he now adores and emulates him. This psychological condition, where a victim identifies with their abuser, explains Xi's seemingly irrational drive to revive Mao's cult of personality and aggressive policies.

Social influence has become even more concentrated in the hands of a few. While the 'super spreader' phenomenon has always existed for ideas and diseases, modern technology dramatically enhances their power by increasing their reach and, crucially, making them easier for others to identify and target.