Designs like Charlie Munger's windowless "Dormzilla" embody a tech-centric focus on minimizing distractions to maximize output. This philosophy directly contradicts architectural research showing that varied, aesthetically pleasing environments can reduce stress, highlighting a fundamental tension between productivity culture and human well-being.

Being confined to environments composed entirely of synthetic materials and sealed windows, with no access to nature, can create a form of psychological distress termed "societal claustrophobia." This highlights a deep-seated human need for connection to the natural world, which, when denied, feels like a form of imprisonment.

Humans have two attention types: fatigable 'directed attention' for focus and effortless 'involuntary attention.' Nature's 'softly fascinating' stimuli (like waves) engage involuntary attention, allowing our directed attention to recover. This is unlike chaotic urban environments that overwhelm all attentional resources.

A landmark study by Roger Ulrich found that post-surgery patients in rooms with a view of trees recovered about a day faster and required less pain medication than patients whose rooms faced a brick wall. This provides strong evidence that even a passive view of nature can have significant, measurable effects on physical healing.

Gensler's founding principle was to design buildings from the "inside out," prioritizing the user's experience and emotional response within a space over the external aesthetics. This human-centric approach, more common in software UX, dictates their entire process, from team building to client collaboration.

The restorative effects of nature can be accessed even without being outdoors. Studies show that incorporating elements like artificial plants, nature sounds, or nature-themed art into indoor spaces can improve cognitive performance and well-being. This is a practical strategy for 'naturizing' offices, homes, and hospitals.

Neuroscience research found that rats in enriched sensory environments grew a cerebral cortex 6% thicker than those in deprived spaces. This provides biological evidence that the design of our physical spaces directly alters brain structure and mass.

‘Form follows function’ is often misinterpreted as prioritizing utility above all. An object’s true function extends to its emotional and aesthetic impact on its environment. A drain pipe's job is not just to move water, but to also avoid making the world more boring or, ideally, to add charm.

Research shows people prefer architecture that mimics natural patterns like fractals and curved edges (e.g., Gothic cathedrals). These buildings are perceived as more natural and likable than rectilinear, 'brutalist' structures. This suggests built environments can offer some of nature's cognitive benefits by incorporating its design principles.