The "features vs. benefits" debate is a false dichotomy. Great messaging, like fiction writing, uses "narrative distance" to strategically zoom in on details (features) and zoom out to the big picture (outcomes). This creates a complete story and avoids getting stuck at one extreme.
Buyers are motivated either by moving toward a desired outcome (possibility) or away from a problem (pain). Marketers often unconsciously favor one style based on their own personality. Crafting copy that addresses both motivations allows you to resonate with a broader, more diverse audience.
Customers buy the benefit a feature provides, not the feature itself. Frame your marketing around the desired outcome or 'big three wins' for the user. As the speaker says, 'benefits sell and features tell,' because features only inform while benefits drive the purchase decision.
Don't just broadcast what you care about. Effective communication begins by identifying the intersection between your core message and your audience's existing concerns. This shared ground acts as a 'gateway drug,' hooking the audience before you guide them to your full message.
Instead of waiting for features to build a story, develop the compelling narrative the market needs to hear first. This story then guides the launch strategy and influences the roadmap, with product functionality serving as supporting proof points, not the centerpiece.
The most effective way to convey complex information, even in data-heavy fields, is through compelling stories. People remember narratives far longer than they remember statistics or formulas. For author Morgan Housel, this became a survival mechanism to differentiate his writing and communicate more effectively.
Go beyond features (what it is) and benefits (what it does) by focusing on 'dimensionalized benefits': how the customer's life tangibly changes after experiencing the benefit. This is the ultimate outcome people are buying, and it should be the core of your marketing message.
While many acknowledge storytelling's importance, few master its application. The ability to frame what your product does within a compelling story is a macro-level skill that makes abstract concepts understandable and memorable. It is the practical vehicle for explaining things clearly and avoiding customer disengagement.
Stories are more than just engaging content; they are the most powerful form of proof. A story acts as a 'dramatic demonstration' of your point, showing rather than telling. Since customers buy based on proof, not promises, storytelling is a non-confrontational way to build credibility and drive sales.
Move beyond listing features and benefits. The most powerful brands connect with customers by selling the emotional result of using the product. For example, Swishables sells 'confidence' for a meeting after coffee, not just 'liquid mouthwash.' This emotional connection is the ultimate brand moat.
A four-part structure for pitching a product: present a possibility ('what if'), state the direct benefit ('so that'), provide a concrete use case ('for example'), and add a compelling future-looking teaser ('that's not all'). This framework, taught in MBA programs, creates a comprehensive and persuasive narrative.