Historically, computer vision treated 3D reconstruction (capturing reality) and generation (creating content) as separate fields. New techniques like NeRFs are merging them, creating a unified approach where models can seamlessly move between perceiving and imagining 3D spaces. This represents a major paradigm shift.

Don't view generative AI video as just a way to make traditional films more efficiently. Ben Horowitz sees it as a fundamentally new creative medium, much like movies were to theater. It enables entirely new forms of storytelling by making visuals that once required massive budgets accessible to anyone.

Tools like Notebook LM don't just create visuals from a prompt. They analyze a provided corpus of content (videos, text) and synthesize that specific information into custom infographics or slide decks, ensuring deep contextual relevance to your source material.

Instead of a complex 3D modeling process for Comet's onboarding animation, the designer used Perplexity Labs. By describing a "spinning orb" and providing a texture, she generated a 360-degree video that was cropped and shipped directly, showcasing how AI tools can quickly create high-fidelity, hacky production assets.

GI discovered their world model, trained on game footage, could generate a realistic camera shake during an in-game explosion—a physical effect not part of the game's engine. This suggests the models are learning an implicit understanding of real-world physics and can generate plausible phenomena that go beyond their source material.

AI can now analyze video ads frame by frame, identifying the most compelling moments and justifying its choices with sophisticated creative principles like color theory and narrative juxtaposition. This allows for deep qualitative analysis of creative effectiveness at scale, surpassing simple A/B testing.

While today's focus is on text-based LLMs, the true, defensible AI battleground will be in complex modalities like video. Generating video requires multiple interacting models and unique architectures, creating far greater potential for differentiation and a wider competitive moat than text-based interfaces, which will become commoditized.

Traditional video models process an entire clip at once, causing delays. Descartes' Mirage model is autoregressive, predicting only the next frame based on the input stream and previously generated frames. This LLM-like approach is what enables its real-time, low-latency performance.

The most creative use of AI isn't a single-shot generation. It's a continuous feedback loop. Designers should treat AI outputs as intermediate "throughputs"—artifacts to be edited in traditional tools and then fed back into the AI model as new inputs. This iterative remixing process is where happy accidents and true innovation occur.