The pursuit of pure originality is often a status game that leads to incomprehensible ideas. A more effective approach is to see originality as a new way to show people an old, constant truth. This re-frames innovation as a novel form of derivation, making it more accessible and relatable.
Danny Meyer views innovation as accessing a "file cabinet" of stored experiences—tastes and memories—and combining them in a fresh way. Like a musician using the same eight notes to create a new song, entrepreneurs can create novel offerings by merging existing, proven concepts.
Instead of trying to force complex concepts on a resistant audience, adapt the packaging to meet them where they are. You don't need to convince a party-focused individual to read dense philosophy; instead, rebrand the core lessons into a format and style that aligns with their current interests and worldview.
Spontaneous innovation isn't a skill in itself; it's the result of being an expert in contemplation. The ability to quickly process, reflect, and find a new paradigm under pressure comes from a practiced ability to contemplate, not from structured innovation exercises.
The most effective ideas are not the most outlandish. Human psychology craves both novelty and familiarity simultaneously. Truly successful creative work, from marketing to scientific research, finds the perfect balance between being innovative and being grounded in something the audience already understands.
Breakthrough creativity, like that behind Disney's *Frozen* or behavioral economics, is often "innovation brokerage." It doesn't come from a blank slate but from combining established concepts from disparate fields—like mixing psychology with economics—to create something new and powerful.
The famous quote attributed to Picasso is often misinterpreted as permission to copy competitors. Its true meaning is to steal from a wide variety of historical sources and disparate industries to create a unique, recombinant style, rather than simply cloning a successful trend within the tech bubble.
The human mind rejects ideas that are too novel. Effective communication and innovation should be grounded in the familiar, introducing only about 20% new information. This principle, from designer Raymond Loewy, helps make new concepts intelligible and acceptable.
Reframe IP from a legal asset to be protected into your 'intellectual perspective'—a unique viewpoint on how to do something. This mindset shifts focus from costly legal protection to creating shareable, repeatable frameworks that scale your business beyond your personal involvement.
To create a successful new product, find the balance between what consumers already know and what is new. If a product is too familiar, it lacks differentiation. If it's too novel, it becomes foreign and difficult for consumers to adopt, creating a high barrier to entry.
Improving imagination is less like a painter adding to a blank canvas and more like a sculptor removing material. The primary task is to forget expected answers and consensus reality. This subtractive process uncovers the truly novel ideas that are otherwise obscured by convention.