By the 1970s, the East German anthem's call for a "united fatherland" became politically awkward as German division solidified. Rather than rewrite the song, the government simply discouraged citizens from singing the words, leading to official ceremonies where only the music was played.

In March 1831, widespread unrest in Rio de Janeiro culminated in an event known as the "Night of Bottles." This unusually long five-day riot, characterized by protesters throwing bottles, eroded the emperor's authority and forced him to abdicate.

Jane Fonda points out that historically, authoritarian regimes always attack artists and educators first. These groups are the "storytellers" who control the cultural narrative and shape how people think and feel. By silencing them, a regime can more easily impose its own version of reality.

Waving a national flag is a direct political act with serious risks in authoritarian countries. Activists are instead using pop culture symbols, like the pirate flag from the anime 'One Piece', to protest. This makes their message more ambiguous, providing a layer of plausible deniability to dodge censorship and reduce personal risk.

Attempts by authoritarian regimes to silence artists like filmmaker Jafar Panahi often fail. His experiences of imprisonment and creative bans have been transmuted directly into his films. The very tools of oppression become the source of his art, turning punishment into a powerful and dignified act of resistance.

The profound instability and societal fractures caused by slavery made it impossible for Brazilians to agree on a collective national story. As a result, their national anthem existed as only a musical tune for over 40 years, lacking any official unifying words.

Abolitionists repurposed the popular tune of "The Star-Spangled Banner" for their own cause. In 1844, the newspaper "The Liberator" published lyrics highlighting the hypocrisy of a nation that condoned slavery, asking "O say, do you hear... the shrieks of those bondsmen?" while a banner with "stars mocking freedom is fitfully gleaming."

In a rare display of monarchical creativity, Dom Pedro I, the first emperor of Brazil, personally composed the music for the new nation's "Hymn of Independence." While likely aided by court musicians, historians credit him with the composition.

Jane Fonda distinguishes the strategic value of protests. While vital for pressuring receptive governments, under an unreceptive or authoritarian regime, their primary function shifts. Protests then serve to build solidarity and morale ("flossing the movement") rather than directly influencing policy.