Protests, like those in Minneapolis, are effective when they generate enough moral outrage to force action from leaders. They have a time limit; their purpose is not sustained demonstration but to create a crisis that people in power must resolve through policy, as seen with LBJ and the Civil Rights Act after Selma.

The primary functions of protest are to publicly signal that a situation is not normal and to act as an incubator for building practical infrastructure, like the carpooling network during the Montgomery bus boycott. It is a gateway to organized, sustained action, not just a performative measure.

Jane Fonda points out that historically, authoritarian regimes always attack artists and educators first. These groups are the "storytellers" who control the cultural narrative and shape how people think and feel. By silencing them, a regime can more easily impose its own version of reality.

Citing Gandhi and the Civil Rights Movement, the most successful long-term protest strategies rely on peaceful non-resistance. Active resistance, even when justified, often escalates violence and cedes the moral high ground, making it a less effective tool for systemic change compared to disciplined, peaceful protest.

The primary value of protests isn't just cinematic outrage; it's serving as a gateway for deeper organizing. Demonstrations allow individuals to connect with the groups that form the backbone of sustained political action, creating lasting, though often unseen, infrastructure.

Against an administration fixated on market performance, traditional protests are merely 'cinematic.' A coordinated economic strike—reducing spending on major companies like Apple and OpenAI—creates market pressure that forces a political response where moral outrage fails.

Jane Fonda argues that defeating an authoritarian regime requires weakening its "pillars of support" like finance, military, and art. This is achieved through strategic noncompliance—strikes, boycotts, and mass actions that hit the economy—rather than traditional protests, which are less effective against entrenched power.

According to Jane Fonda, authoritarian leaders thrive on an image of being impermeable and inevitable. Humor and ridicule are powerful weapons against this because they expose weakness and humanity, which authoritarians cannot tolerate. A comic making fun of a dictator shatters the carefully constructed facade of invincibility.

Countering the idea that one must feel hopeful to act, Jane Fonda asserts that the reverse is true. When feeling depressed or despairing, the most effective antidote is to take action. Action itself generates hope, which she describes as a "muscle" that grows with use, not a passive state of optimism.