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Marketers must distinguish between two types of surprise. 'Short O' surprises are fleeting narrative twists that grab attention. 'Long O' surprises fundamentally reframe the brand or category (e.g., HSBC's 'Banking the Homeless' program), creating a lasting shift in perception and consideration.
To truly change a brand's narrative, marketing's 'talking the talk' is insufficient. The product experience itself must embody the desired story. This 'walking the walk' through the product is the most powerful way to shape core brand perception and make the narrative shareable.
The moments in a customer journey where expectations are lowest (e.g., a mandatory safety video) are the greatest opportunities for brand building. By turning a dull requirement into extravagant entertainment, a brand can generate immense goodwill and memorability.
The effect of a surprise diminishes with repetition, as it becomes the new expectation—like a large diamond seeming smaller over time. Challenger brands built on surprise, like Aldi or Liquid Death, must create a system to consistently generate *new* surprises to maintain their edge and avoid fading away.
The human brain's "reward prediction error" means unexpected events create stronger emotional reactions. Tubi's Super Bowl ad worked by disrupting the viewer's prediction, making the brand stick by amplifying feelings of surprise and even anger.
Analysis of advertising data shows campaigns with the best long-term results feature a surprise level of around 15%. Going too far beyond this creates shock without resolving into happiness. The goal isn't just to surprise, but to use a calibrated amount of it to make the audience feel good.
Surprise is a powerful emotional amplifier, capable of multiplying positive or negative feelings significantly. While advertising often seeks emotion, it rarely focuses on surprise. Simple, unexpected acts, especially in customer service, can create disproportionately strong and lasting brand memories.
Creating something truly new (novelty) is difficult. Instead, generate surprise by combining familiar elements in unexpected ways, like a pug hatching from an egg. This works because the brain is wired to pay attention to prediction failures, which is what surprise creates.
Based on a 1972 research paper, the art of being 'interesting' isn't just about surprise; it's about strategically denying a foundational belief held by your audience. By identifying what people think they know and then inverting it, you command attention and create a powerful, memorable emotional response.
The human brain is a prediction machine, and surprise is the neurological response when an experience varies from anticipation. For brands, the biggest opportunity for positive emotion lies in the gap between the expectation set by advertising and the actual customer experience delivered by operations.
Contrary to expectations, Aldi's ability to consistently surprise consumers (e.g., matching Waitrose mince pies at half the price) is rooted in operational rigor and long-term planning, not creative spontaneity. This highlights that strategic surprise is an engineered, cross-functional effort requiring immense discipline.