The English believed their string of improbable victories against a larger, richer France proved God's favor. They viewed their claim to the French throne not as aggression but as a divinely sanctioned right, using battlefield success as theological proof that their cause was just.
The Hundred Years' War was intertwined with a brutal French civil war between the Burgundians and Armagnacs. For many French, including high-ranking clergy, siding with the Anglo-Burgundian alliance was a logical choice for stability against the rival Armagnac faction, not an act of treason.
The very first literary account of Joan of Arc was written in 1429 by Christine de Pizan, considered the first professional female writer in Western history. This establishes that Joan's narrative was shaped and celebrated by a prominent female voice in real-time, not just in hindsight.
The English weren't led by incompetent occupiers. John, Duke of Bedford was a wise, feared, and respected administrator who spoke French and maintained a standing army—a rarity for the time. His effective governance makes the subsequent English collapse following Joan's arrival more dramatic and less inevitable.
Despite being mediated by scribes, the detailed records from Joan's trial and rehabilitation offer an exceptionally rare opportunity to hear the wit, courage, and personality of a 15th-century peasant girl in her own words. This direct voice is a primary source of her enduring historical power.
Contrary to the popular image, Joan of Arc was not a shepherdess and displayed a degree of class consciousness about it. During her trial, she insisted she was a spinner and sewer—a more respectable trade—and challenged the court women to match her skill, revealing a pride in her higher-than-lowest-peasant status.
Joan grew up in a village on the violent frontier between pro-Dauphin and pro-Burgundian territories. The constant, deadly skirmishes with the neighboring village embodied the national civil war on a micro-scale, likely fueling her intense desire for a unified France under a single, authoritative king.
Unlike many mystics who were passive recipients of divine messages, Joan had a conversational and even confrontational relationship with her voices. She would argue back if she disagreed with their counsel, demonstrating a remarkable self-confidence and an active interpretation of her divine mission rather than simple obedience.
Joan's decision to wear men's clothing was a profound theological transgression, explicitly condemned in the Book of Deuteronomy. She never justified it on practical grounds like safety, but as a direct command from her voices. This framed the act as one of religious obedience that paradoxically broke religious law, making it central to her heresy charge.