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The desire for censorship isn't tied to an ideology. Historically, the group that holds cultural power—be it Christian conservatives in the 80s or the progressive left today—is the one that advocates for censorship to protect its worldview. The counter-culture, in turn, champions free speech to gain ground.
Historically, authorities misidentify truly transformative ideas. The 16th-century Inquisition obsessively censored minor Protestant theological disputes while ignoring Machiavelli. Later, censors worried more about astrology in *Paradise Lost* than its revolutionary anti-monarchal rhetoric. Censors are poor predictors of which ideas will actually change the world.
Jane Fonda points out that historically, authoritarian regimes always attack artists and educators first. These groups are the "storytellers" who control the cultural narrative and shape how people think and feel. By silencing them, a regime can more easily impose its own version of reality.
The internet allows for "unfettered conversations," breaking legacy media's control over acceptable discourse. For the institutional left, this is akin to open borders for ideology, a threatening loss of narrative control, just as open physical borders are viewed as threatening by the right.
Contrary to the popular narrative of left-wing "cancel culture," data shows a dramatic political reversal in campus censorship attempts since 2020. Today, as many as 80% of cases targeting student and faculty speech are driven by right-wing political efforts and state legislation.
Rushdie contends that when progressives advocate for censoring speech they disapprove of, they weaken their moral standing to defend other forms of expression, like political satire. This internal contradiction makes it harder to argue against authoritarian censorship, as the principle of free speech is applied inconsistently.
You can only be "canceled" by a group you were once in favor with. The phenomenon targets those who violate the internal norms of their own tribe, especially those who previously built a reputation on upholding those norms. Outsiders are largely immune because they never belonged to the in-group.
The concept of "mal-information"—factually true information deemed harmful—is a tool for narrative control. It allows powerful groups to suppress uncomfortable truths by framing them as a threat, effectively making certain realities undiscussable even when they are verifiably true.
Physically shouting down a speaker offers a temporary, local victory. However, the act of suppression is often recorded and shared, reaching a far larger 'audience' online. This audience frequently reacts against the suppression, giving the original message more power than it would have had otherwise.
The hosts argue that movements against "wokeness," often championed by self-proclaimed classical liberals, create a moral panic that results in extreme actions. This can lead to unintended consequences like censoring classical philosophy, which then surprises the movement's originators.
The controversy surrounding figures like J.K. Rowling isn't because her views are radical. It's because her positions are logical and resonate with the common sense of a silent majority, making them a powerful and threatening focal point in the culture war.