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Unlike the era depicted in the film's "cerulean" scene, where editors set trends, taste is now driven from the ground up. Social media and influencers, not magazines, create demand for products like vintage Coach bags, fundamentally inverting the flow of cultural influence.

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A decade ago, brands dictated trends. Today, the rise of social media and direct-to-consumer models has empowered consumers, making it harder for large brands to push a narrative. Brands must now listen to consumer feedback to stay relevant.

In the pre-internet era, a small number of executives and critics decided what art was produced and celebrated. Today, social media algorithms allow the audience to decide what is 'good' by rewarding it with attention, enabling talent that would have been overlooked by the old system to thrive.

Fashion Week's relevance has not diminished but shifted. It's now less about editors and more of a brand-driven spectacle attracting tech billionaires and influencers, highlighting the enduring power of high-status, in-person experiences in a digital world.

As AI drives the cost of content creation to zero, the world floods with 'average' material. In this environment, the most valuable and scarce skill becomes 'taste'—the ability to identify, curate, and champion high-quality, commercially viable work. This elevates the role of human curators over pure creators.

As AI democratizes the ability to build products, the competitive advantage shifts from technical skill to the ability to appeal to human emotion and aesthetics. Having 'good taste'—knowing what will resonate with people—becomes a crucial differentiator for attracting and retaining customers.

Brands, especially in luxury, fear diluting their image with platform-native content. This fear is misplaced, as consumers are already defining the brand's perception through user-generated content at scale. Brands must participate to guide the narrative, as the "brand schizophrenia" they fear already exists.

CEO Adam Mosseri observes a major cultural shift on Instagram away from the high-saturation, photoshopped look. The content now driving cultural relevance is its opposite: raw, unprocessed 'photo dumps.' In a world of hyper-production, users crave content that feels more authentic.

A key loss from the decline of legacy media is the disappearance of a shared cultural conversation. Magazines once created a monoculture where everyone discussed the same topics, a phenomenon now impossible in today's fragmented digital landscape.

Algorithms funnel users in the same demographic towards identical content, influencers, and products. This 'conveyor belt' of recommendations leads to a cultural homogenization where young people begin to look, speak, and think alike.

The cultural relevance of award shows no longer depends on live viewership. Their main function is now to produce easily shareable clips, fashion highlights, and celebrity soundbites that circulate on platforms like TikTok, driving conversation and awareness.