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*Freakonomics* co-author Steve Levitt advises against writing a book if the goal is fame or readership, as the odds are incredibly low. He suggests pursuing it only if the creative process itself is the reward, and you'd be happy even if no one reads it. This filters for intrinsic motivation.

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For significant projects, ask yourself: 'Would I do this for no money or even if it meant losing money?' If the answer is yes, it's a strong signal that the intangible benefits (learning, networking, fulfillment) are massive. The best projects, like a podcast or community, often pass this test.

Bestselling author Morgan Housel posits that writer's block is a creative signal that an underlying idea is weak. Using AI tools to bypass this feeling may lead to completing a project that fundamentally doesn't work.

Top literary agent Suzanne Gluck rejects the idea that a bestseller can be architected. When authors ask for a formula for success, she tells them the only chance they have is to write the book they are truly passionate about. Authenticity is a prerequisite that cannot be faked or engineered.

The memos, a cornerstone of investment literature, began without a grand strategy. Marks wrote them for a decade without a single response, driven purely by his enjoyment of the creative process. This underscores the power of intrinsic motivation in producing high-quality, enduring work.

Talented people avoid starting things due to fear of public failure. The reality is that most people don't pay attention, and even negative attention is fleeting. This creates a highly asymmetric upside for taking creative and entrepreneurial risks.

Author Shannon Hale argues the worst writing advice is "only write what you know." She believes this is flawed because it prevents the author from discovering new ideas during the creative process. Writing should be an act of exploration, not a pedantic exercise of sharing pre-existing knowledge.

The fear of failure in content creation is misplaced. If your content fails, it's typically because it gets no attention, meaning no one will even know you failed. The risk is asymmetric: failure is private and invisible, while success is public and rewarding. This mental model should encourage more people to start creating.

It's easy to want the results of success (the 'life'), but you must genuinely enjoy the daily process (the 'lifestyle') to persevere. If you aren't willing to pay the price of the day-to-day grind, you won't stick with it long enough to achieve the outcome.

Despite 50+ consecutive number one bestsellers, Grisham fears his next book will fail. He views this self-doubt as a healthy, essential part of the creative process that prevents complacency. This mindset is crucial for sustained high performance in any field, reminding creators that fear can be a productive force.

To build a sustainable career, creatives can't rely solely on external validation like sales or praise. Motivation must come from the intrinsic value found in the act of "making the thing." This internal focus is the only way to avoid an insatiable and unfulfilling need for approval.

Bestselling Author Steve Levitt's Advice to Writers: Don't Write a Book | RiffOn