Her authority was tied to two specific goals: relieving Orléans and crowning the king. After achieving these, her continued push for war lacked the same clear divine mandate. This perceived mission creep eroded her support at court and led to failures like the assault on Paris.

Joan consciously or unconsciously adopted the persona of a hero from popular chivalric romances. This was an effective strategy, as it tapped into a pre-existing cultural narrative that inspired knights and soldiers to follow her, making her spectacle a key element of her success.

Joan's success relied on an "infectious bravery" that inspired demoralized troops and overrode the caution of veteran commanders. She consistently pushed for aggressive attacks when professionals advised delay. This highlights how a leader's conviction and confidence can become a tangible strategic advantage, transforming a unit's psychology and capacity for risk.

A sudden, favorable change in wind allowing supply barges to reach Orléans was perceived as a divine sign. This event instantly convinced the skeptical commander, the Bastard of Orléans, of Joan's legitimacy. It demonstrates how a single symbolic "victory" can dramatically shift morale and consolidate leadership more effectively than strategic plans.

The Dauphin's court did not accept Joan in a vacuum. Decades-old prophecies foretelling that a virgin would save France provided the political and cultural cover necessary to support her seemingly outlandish mission. This pre-existing narrative made her claims plausible and her backing politically defensible.

The English believed their string of improbable victories against a larger, richer France proved God's favor. They viewed their claim to the French throne not as aggression but as a divinely sanctioned right, using battlefield success as theological proof that their cause was just.

Joan adopted the martial glamour of a male knight while leveraging the spiritual power associated with female virginity. This unique combination of potent gender archetypes made her an exceptionally compelling and authoritative figure, transcending conventional roles.

The court ritual where Joan "identified" the Dauphin she had already met was a deliberate piece of political theatre. This staged "pantomime" was not a genuine test but a public relations exercise designed to cement the narrative of her divine gifts and the Dauphin's legitimacy in the minds of the entire court.

Joan's dictated letter to the English was not a negotiation but a divine ultimatum. By positioning herself as a "captain of war" sent by the "King of Heaven," she reframed the political conflict as a holy war, a powerful psychological tactic designed to demoralize her opponents by presenting her victory as inevitable.