Despite the lucrative potential, best-selling author Morgan Housel intentionally avoids a subscription model. He believes the pressure to consistently produce content for paying subscribers ("feed the ducks because they're quacking") creates a dangerous dynamic, forcing creators to publish even when they lack inspiration, which harms the work's quality.

Creativity is a struggle between time and resources. A publisher's explicit goal should be making authors millionaires, not for luxury, but for sustainability. Financial independence allows talented writers to dedicate their time to their craft, creating a virtuous cycle for both author and publisher.

Industries fixated on prestige—awards, parties, and reputation—create cultures that resist common-sense business improvements. This focus makes it difficult for insiders, especially those lower on the totem pole like authors, to challenge the status quo and say "the emperor has no clothes."

Instead of giving an AI creative freedom, defining tight boundaries like word count, writing style, and even forbidden words forces the model to generate more specific, unique, and less generic content. A well-defined box produces a more creative result than an empty field.

Imposing strict constraints on a creative process isn't a hindrance; it forces innovation in the remaining, more crucial variables like message and resonance. By limiting degrees of freedom, you are forced to excel in the areas that matter most, leading to more potent output.

Visionary creators are often tortured by their own success. By the time a product launches, they are already deep into developing its superior successor and can only see the current version's flaws. This constant dissatisfaction is the engine of relentless innovation, as seen with Walt Disney.

The label "problem author" was once negative, but now it's a strategic necessity. With authors often commanding larger audiences than their publishers, they must leverage this power to challenge outdated, opaque processes and force necessary industry-wide improvements for their book's success.

Author Shannon Hale argues the worst writing advice is "only write what you know." She believes this is flawed because it prevents the author from discovering new ideas during the creative process. Writing should be an act of exploration, not a pedantic exercise of sharing pre-existing knowledge.

The power of industry gatekeepers lies in saying 'no,' which makes them feel important but stifles creativity. This risk aversion leads to a homogenous media landscape filled with copies and sequels, while truly innovative, independent projects are denied a platform.