The founders resolve the tension between speed and quality by being "obsessive." They move fast by iterating constantly, but also relentlessly go back and refine existing work. Speed is about the pace of iteration and a commitment to delight, not about shipping once and moving on.
Despite user requests, Supercut is holding back on building a traditional video editor. They believe it would become an "excuse" for their AI-powered "auto edit" to be mediocre. This strategic constraint forces them to perfect their core differentiator before adding table-stakes features.
The co-founder, a designer, learned React to bypass the classic frustration of developers misinterpreting high-fidelity mockups. By designing directly in code, he maintains full control over the final UI, eliminates the handoff process, and saves significant time and back-and-forth.
The team avoids traditional design reviews and handoffs, fostering a "process-allergic" culture where everyone obsessively builds and iterates directly on the product. This chaotic but passionate approach is key to their speed and quality, allowing them to move fast, make mistakes, and fix them quickly.
Drawing from experience at Typeform, the founders believe that low-quality internal materials inevitably lower the bar for customer-facing work. They enforce strict branding even for internal video messages to maintain a high quality standard across the entire company culture.
Contradicting the common startup goal of scaling headcount, the founders now actively question how small they can keep their team. They see a direct link between adding people, increasing process, and slowing down, leveraging a small, elite team as a core part of their high-velocity strategy.
The founders avoid creating a rigid, atomized design system because the product is still iterating too quickly. They accept a "messy" component library and technical debt as a trade-off for speed. Formalizing a design system only makes sense once the product's UI has stabilized.