Before programmatic advertising, BroBible found a ceiling on direct ad sales. They built a highly profitable events business, hosting concerts and selling high-value sponsorships to major brands. This became their number one revenue source for two years, demonstrating a creative monetization strategy beyond simple ad inventory.

As a commercial public service broadcaster, ITV operates on a cross-subsidization model. Its most popular and commercially successful entertainment shows, like 'Love Island' and 'I'm a Celebrity,' generate the advertising revenue required to fund costly public interest content like national news and impactful dramas.

Instead of raising money to buy ads, founders should explore capital-efficient alternatives. Club Penguin partnered with gaming site Miniclip for a revenue share. This cost them nothing upfront, provided massive distribution, and ultimately created a win-win outcome for both companies.

To remain sustainable, the local media outlet combines direct ad sales, branded content, merchandise (coupon passports), and a Patreon membership. This multi-pronged approach provides stability and avoids over-reliance on a single, often volatile, revenue stream like programmatic advertising.

BroBible's publisher evolved from an editor to a crucial liaison between the advertising and editorial teams. This "bridge" role was vital for creating sponsored content that felt authentic to the brand's voice while meeting advertisers' goals—a function often missing in lifestyle media companies.

Revenue from engaging lifestyle products like games and recipes directly enables the NYT to invest in high-cost, low-click investigative journalism, such as covering the war in Sudan, fulfilling its public service mission without direct commercial pressure.

OpenAI's non-profit parent retains a 26% stake (worth $130B) in its for-profit arm. This novel structure allows the organization to leverage commercial success to generate massive, long-term funding for its original, non-commercial mission, creating a powerful, self-sustaining philanthropic engine.

When creating branded social media content, BroBible allocates a portion of the client's budget to an ad buy that boosts the post. This not only increases the campaign's reach for the brand but also drives new, engaged followers to BroBible's own channels, making advertisers subsidize their audience growth.

Stuart Shuffman argues his model is highly replicable because local publishers can build deep trust that national brands can't. This trust makes it easier to sell ads directly to local businesses, who see their spending as both a marketing tool and a form of community patronage.