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Marshall McLuhan argued that TV forces all content into a "TV show" format. The internet's native format is the "viral post"—a piece of media that rises and falls rapidly, often within 36 hours. This format prioritizes emotional arousal and speed over the structured, sanded-off narratives of television.

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Unlike older algorithms that recommend content based on long-term follow history, TikTok's model prioritizes recent engagement. This 'TikTokification' across platforms means algorithms can now find an audience for off-niche content if it aligns with a viewer's immediate, short-term interests.

The primary function of cable news has shifted. It no longer breaks news but instead produces segments specifically designed to be clipped and go viral on social media platforms. Its main impact is now on the broader internet conversation, not its direct viewership.

Derek Thompson posits that media forms like podcasting, social media, and AI are all evolving toward a singular "attractor state": an endless, algorithmically recommended stream of video. This isn't a strategic choice but an inevitable market dynamic, much like a marble rolling to the bottom of a bowl.

Platforms like TikTok have shifted the paradigm where success is tied to each post's individual merit, not the creator's follower base. A single viral video can generate massive reach and sales, even if other posts have low engagement, a trend now adopted by LinkedIn, YouTube, and others.

Morgan Housel finds that the content that performs best is often basic and seems obvious to the writer. Readers resonate with ideas they already intuitively feel but have never seen articulated. This connection requires less mental bandwidth than processing a completely novel concept, leading to wider sharing.

Though often dismissed as low-brow, the machinima series *Skibidi Toilet* contains a sophisticated meta-narrative. The war between meme-culture "toilets" (new media) and high-production "camera heads" (traditional media) serves as an allegory for the current media landscape, showing how even absurd viral content can host complex cultural criticism.

The algorithmic shift on platforms like Instagram, YouTube, and Facebook towards short-form video has leveled the playing field. New creators can gain massive reach with a single viral video, an opportunity not seen in over a decade, akin to the early days of Facebook.

The era of building a follower list like an email list is over. Platforms now use an "interest graph," meaning a post from an account with few followers can go viral if the content is compelling. This shift democratizes reach and prioritizes content quality above all else.

The cultural relevance of award shows no longer depends on live viewership. Their main function is now to produce easily shareable clips, fashion highlights, and celebrity soundbites that circulate on platforms like TikTok, driving conversation and awareness.

Patreon's Jack Conte argues the internet's shift to interest-based discovery (like TikTok) lets anyone break through. The real challenge is converting that fleeting viral attention into a durable audience by strategically funneling viewers to owned platforms like a website or podcast.