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The idea that war causes immense suffering is not a modern sentiment. Ancient Greek sources, including Homer and later playwrights, consistently held a dual perspective: they celebrated heroes for their capacity for violence while simultaneously depicting the profound misery war inflicted on all people, including the enemy.

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According to Herodotus, the Persians held the Greeks responsible for the cycle of wars between Europe and Asia. They believed the Greeks' decision to launch an all-out invasion to destroy Troy over the abduction of one woman was a massive, disproportionate overreaction that escalated the conflict beyond acceptable bounds.

The heroic individualism in Homer's epics was a form of political justification. A wealthy elite, whose power was based on riches, used these narratives to legitimize their status. By portraying themselves as superior warriors, they framed their leadership as merit-based, not just inherited.

Ed Luttwak posits that the Iliad's hero, Achilles, pities the gods because their immortality prevents them from ever being brave. This foundational Western text suggests that the human condition of mortality is not a weakness but the very source of dignity, meaning, and a superiority over the divine.

The Greeks used tragedy to foster kindness. By watching decent people fall due to small mistakes, audiences felt pity for the character and fear for themselves. This recognition of shared human fallibility, which Aristotle identified, is a powerful path to empathy.

The victory at Marathon, framed as a triumph of liberty, ironically propelled Athens to become an imperial power. They used their newfound military dominance to extract tribute from other Greek cities, funding projects like the Parthenon through the subjugation of their supposed allies.

In The Odyssey's world, storytellers weren't just entertainers; they were guardians of the moral order. Agamemnon left a bard to keep his wife faithful through "improving stories," and only after the bard was removed could she be seduced, illustrating the perceived power of narrative.

Homer's portrayal of Achilles is not a simple hero's tale; it is a deliberate exploration of moral limits. The narrative pushes Achilles from justified anger into horrifying transgression, forcing the audience to constantly re-evaluate their allegiance and question the nature of justice and revenge.

The longevity of texts like Homer's isn't just due to great storytelling. It stems from their inherent ambiguity, which is designed to provoke disagreement and discussion. By building in themes that split audiences, these works ensure they remain relevant and debated across centuries and cultures.

Unlike the ostracism faced by many modern veterans, ancient soldiers with PTSD-like symptoms could be celebrated. A veteran of Marathon who suffered hysterical blindness was seen as a hero, and his story became a source of communal pride rather than a mark of shame or illness.

The epic’s resolution includes the brutal punishment of those deemed disloyal. Twelve servant girls who slept with the suitors are forced to clean the massacre's aftermath before being publicly hanged, a fate analogous to the historical treatment of female collaborators in wartime.